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November 2nd, 2009:

Jessica for Nov. 5th

The section “Songs of Parting” brings Whitman’s poetry full circle from “Song of Myself”.  “Song of Myself” centers around learning to love ones self, and understand one’s part in the universe as an important part of the whole chain of being.  Here Whitman begins by saying that when one finally finds himself, it is his time to go onto to the next stage of being. 

Whitman speaks about America, and Europe, and how technology has made the world a smaller place and that hopefully it will help to unite the world, to unite all of mankind.  “With the steamship, the electric telegraph, the newspaper, the wholesale engines of war, With these and the world-spreading factories he interlinks all geography, all lands; What whispers are these O lands, running ahead of you, passing under the seas? Are all nations communing? is there going to be but one heart to the globe?”  Just as Whitman loves America, and decomcracy, and the unity of all different types of men within one country, Whiman loves the different men of every country.  Starting with the unity of America, Whitman hopes that this unity can spread across the globe and unite the people of the world. 

Like in “Song of Myself”, here Whitman also looks at all of the splendor of life.  “Wonderful to depart!  Wonderful to be here! The heart, to jet the all-alike and innocent blood! To breathe the air, how delicious! To speak – to walk – to seize something by the hand! To prepare for sleep, for bed, to look on my rose color’d flesh! To be concious of my body, so satisfied, so large! To be this incredible God I am! To have gone forth among other Gods, these men and women I love!”  Whitman seems a bit more humbled here, and is appreciative of all the little things in life that make us human, that bind us all.  He goes on to appreciate all of the workings of nature and the world, and says, “For I do not see one imperfection in the universe, And I do not see one cause or result lamentable at last in the universe”.  As in “Song of Myself”, every part of the universe is beautiful and important. 

Although many of the same ideas flow through Whitman’s poetry, the changes that Whitman has gone through are subtly apparent.  Although he is expressing much of the same ideas, the same love of mankind, and America, and nature, he seems much more humbled in these peoms, wiser and more cautious with his words.  He is not writing to get a reaction, or to call people to arms, or to stir the fire, he is simply passing on his love of life, nature, and mankind through the recollection of his experiences throughout his life.  It seems as though Whitman feels that the world is moving in the right direction, and that mankind needs to embrace the benefits of change, and understand that the universe is a living being that cannot be stopped, but must be accepted and appreciated.

Jessica for Nov. 5th

The section “Songs of Parting” brings Whitman’s poetry full circle from “Song of Myself”.  “Song of Myself” centers around learning to love ones self, and understand one’s part in the universe as an important part of the whole chain of being.  Here Whitman begins by saying that when one finally finds himself, it is his time to go onto to the next stage of being. 

Whitman speaks about America, and Europe, and how technology has made the world a smaller place and that hopefully it will help to unite the world, to unite all of mankind.  “With the steamship, the electric telegraph, the newspaper, the wholesale engines of war, With these and the world-spreading factories he interlinks all geography, all lands; What whispers are these O lands, running ahead of you, passing under the seas? Are all nations communing? is there going to be but one heart to the globe?”  Just as Whitman loves America, and decomcracy, and the unity of all different types of men within one country, Whiman loves the different men of every country.  Starting with the unity of America, Whitman hopes that this unity can spread across the globe and unite the people of the world. 

Like in “Song of Myself”, here Whitman also looks at all of the splendor of life.  “Wonderful to depart!  Wonderful to be here! The heart, to jet the all-alike and innocent blood! To breathe the air, how delicious! To speak – to walk – to seize something by the hand! To prepare for sleep, for bed, to look on my rose color’d flesh! To be concious of my body, so satisfied, so large! To be this incredible God I am! To have gone forth among other Gods, these men and women I love!”  Whitman seems a bit more humbled here, and is appreciative of all the little things in life that make us human, that bind us all.  He goes on to appreciate all of the workings of nature and the world, and says, “For I do not see one imperfection in the universe, And I do not see one cause or result lamentable at last in the universe”.  As in “Song of Myself”, every part of the universe is beautiful and important. 

Although many of the same ideas flow through Whitman’s poetry, the changes that Whitman has gone through are subtly apparent.  Although he is expressing much of the same ideas, the same love of mankind, and America, and nature, he seems much more humbled in these peoms, wiser and more cautious with his words.  He is not writing to get a reaction, or to call people to arms, or to stir the fire, he is simply passing on his love of life, nature, and mankind through the recollection of his experiences throughout his life.  It seems as though Whitman feels that the world is moving in the right direction, and that mankind needs to embrace the benefits of change, and understand that the universe is a living being that cannot be stopped, but must be accepted and appreciated.

Jessica for Nov. 5th

The section “Songs of Parting” brings Whitman’s poetry full circle from “Song of Myself”.  “Song of Myself” centers around learning to love ones self, and understand one’s part in the universe as an important part of the whole chain of being.  Here Whitman begins by saying that when one finally finds himself, it is his time to go onto to the next stage of being. 

Whitman speaks about America, and Europe, and how technology has made the world a smaller place and that hopefully it will help to unite the world, to unite all of mankind.  “With the steamship, the electric telegraph, the newspaper, the wholesale engines of war, With these and the world-spreading factories he interlinks all geography, all lands; What whispers are these O lands, running ahead of you, passing under the seas? Are all nations communing? is there going to be but one heart to the globe?”  Just as Whitman loves America, and decomcracy, and the unity of all different types of men within one country, Whiman loves the different men of every country.  Starting with the unity of America, Whitman hopes that this unity can spread across the globe and unite the people of the world. 

Like in “Song of Myself”, here Whitman also looks at all of the splendor of life.  “Wonderful to depart!  Wonderful to be here! The heart, to jet the all-alike and innocent blood! To breathe the air, how delicious! To speak – to walk – to seize something by the hand! To prepare for sleep, for bed, to look on my rose color’d flesh! To be concious of my body, so satisfied, so large! To be this incredible God I am! To have gone forth among other Gods, these men and women I love!”  Whitman seems a bit more humbled here, and is appreciative of all the little things in life that make us human, that bind us all.  He goes on to appreciate all of the workings of nature and the world, and says, “For I do not see one imperfection in the universe, And I do not see one cause or result lamentable at last in the universe”.  As in “Song of Myself”, every part of the universe is beautiful and important. 

Although many of the same ideas flow through Whitman’s poetry, the changes that Whitman has gone through are subtly apparent.  Although he is expressing much of the same ideas, the same love of mankind, and America, and nature, he seems much more humbled in these peoms, wiser and more cautious with his words.  He is not writing to get a reaction, or to call people to arms, or to stir the fire, he is simply passing on his love of life, nature, and mankind through the recollection of his experiences throughout his life.  It seems as though Whitman feels that the world is moving in the right direction, and that mankind needs to embrace the benefits of change, and understand that the universe is a living being that cannot be stopped, but must be accepted and appreciated.

Erin M. for Nov. 5th

The Process of  Goodbye

As his final farewell, Whitman leaves us with his collection Songs of Parting in which he chronicles his process of saying goodbye. Step 1…question death and accept it all in the same poem. In, As the Time Draws Nigh, Whitman writes, “A dread beyond of I know not what darkens me” (p 597 line 2). Whitman knows his sickness is upon him fully and suspects death is on the horizon for him, but he’s not yet afraid or deterred by it. He continues, “I shall go forth, I shall traverse the States awhile, but I can not tell whither or how long, Perhaps soon some day or night while I am singing my voice will suddenly cease” (line 3-5). Here he seems to have accepted his fate. But wait! There’s more! At line 6 he asks, O book, O chants! must all then amount to but this? Translation: Is this it? Is this all there is? But, in the end, his is Whitman after all, and he concludes, “O soul, we have positively appear’d-that is enough (line 8). This line reminds me and should remind all of us of  the following line from Song of Myself: “ I exist as I am, that is enough” Welcome to Walt’s acceptance of his death.

Step 2 in the good bye process is saying goodbye to others and Whitman accomplishes that in the poems “Years of the Modern”, “Ashes of Soldiers” and  “As at ThyPortals Also Death”. In “Years”, Whitman celebrates all that has occured in the world during his life and all that is yet to come. He writes, ” I see tremendous entrances and exits, new combinations, the soldiarity of races. . . I see Freedom, completely arm’d and victorious and very haughty, with Law on one side and Peace on the other. . . I see frontiers and boundaries of the old aristocracies broken,. . . I see this day the People beginning their landmarks, (all others give way;)” (597-98). He is celebrating a new America, one inspired by and powered by the youth and creativity. “Years of the Modern” is reminiscent of the poem “America” (you know that poem from the Levi’s commercial). ” Years” celebrates and says good bye to his vision of America: open, boundary-less, free that he yearned for in Song of Myself, sees inklings of now and hopes will come to fruition after he is gone. In “Ashes” Walt says goodbye one last time to all the soldiers that have battled and those he cared for and even the “horsemen” and “drummers” who were part of the battle. He gives one last salute and nod of respect to all those who were part of the civial war and by saying goodbye to those men I’d also venture that “Ashes ” is also one final nod to Lincoln (598-600). Finally, in “As at Thy Portals Also Death”, he remembers and honors his mother. As he thinks of his own impending death, he remembers her burial. ” To memories of my mother, to divine blending, maternity. . . To her, the ideal woman, practical, spiritual, of all the earth, life, love, to me the best,” (line 3 and 8).

And Step 3 of the goodbye process is leaving a legacy which Walt does in the poems “My Legacy” and with the final poem “So Long!” I think “My Legacy” is self explanatory so I don’t need to quote it here, but “So Long!” was a very moving poem that I’ve nicknamed “Song of Myself (Reprise)”. What Walt sang of in “Song of Myself” he annouces as having been accomplished in “So Long!”. He invites his audience to join him one last time; “While my pleasure is yet at the full I whisper So Long! And take the young woman’s hand and the young man’s hand for the last time” (line 13).  He continues announcing  that justice, liberty, equality and candor are all justified and have become important to the American people (lines 15-18) and urges us all to live our lives vehemently, boldly and joyfully. He reminds us of the importance of comraderie and turns toward a single comrade during his last moments (p 611 lines 53-61) and finally writes words that could be addressed to either his audience or his comrade at his bedside. In closing, Whitman writes:

Dear friend whoever you are take this kiss,

I give it especially to you, do not forget me,

I feel like one who has done work for the day to retire awhile . . .

Remember my words, I may again return, I love you, I depart from materials,

I am as one disembodied, triumphant, dead (lines 64-66 and 69-71).

Songs of Parting is a beautiful collection that chronicle Whitman’s death and memories. With this collection Walt eases us and himself into the process of death and shows us the proper way to say goodbye to everything atimate and inatimate that we loved. And Whitman would be proud to know that he hasn’t been forgotten, far from it as we learned from our image glosses. Whitman reached his audience despite the fact he believed the opposite. And I hope that some day we do have some form of the peacful, free, accepting America Whitman saw the start of and that I still see inklings of today. I hope it come to full fruition someday. Farwell, Mr. Whitman.

Erin M. for Nov. 5th

The Process of  Goodbye

As his final farewell, Whitman leaves us with his collection Songs of Parting in which he chronicles his process of saying goodbye. Step 1…question death and accept it all in the same poem. In, As the Time Draws Nigh, Whitman writes, “A dread beyond of I know not what darkens me” (p 597 line 2). Whitman knows his sickness is upon him fully and suspects death is on the horizon for him, but he’s not yet afraid or deterred by it. He continues, “I shall go forth, I shall traverse the States awhile, but I can not tell whither or how long, Perhaps soon some day or night while I am singing my voice will suddenly cease” (line 3-5). Here he seems to have accepted his fate. But wait! There’s more! At line 6 he asks, O book, O chants! must all then amount to but this? Translation: Is this it? Is this all there is? But, in the end, his is Whitman after all, and he concludes, “O soul, we have positively appear’d-that is enough (line 8). This line reminds me and should remind all of us of  the following line from Song of Myself: “ I exist as I am, that is enough” Welcome to Walt’s acceptance of his death.

Step 2 in the good bye process is saying goodbye to others and Whitman accomplishes that in the poems “Years of the Modern”, “Ashes of Soldiers” and  “As at ThyPortals Also Death”. In “Years”, Whitman celebrates all that has occured in the world during his life and all that is yet to come. He writes, ” I see tremendous entrances and exits, new combinations, the soldiarity of races. . . I see Freedom, completely arm’d and victorious and very haughty, with Law on one side and Peace on the other. . . I see frontiers and boundaries of the old aristocracies broken,. . . I see this day the People beginning their landmarks, (all others give way;)” (597-98). He is celebrating a new America, one inspired by and powered by the youth and creativity. “Years of the Modern” is reminiscent of the poem “America” (you know that poem from the Levi’s commercial). ” Years” celebrates and says good bye to his vision of America: open, boundary-less, free that he yearned for in Song of Myself, sees inklings of now and hopes will come to fruition after he is gone. In “Ashes” Walt says goodbye one last time to all the soldiers that have battled and those he cared for and even the “horsemen” and “drummers” who were part of the battle. He gives one last salute and nod of respect to all those who were part of the civial war and by saying goodbye to those men I’d also venture that “Ashes ” is also one final nod to Lincoln (598-600). Finally, in “As at Thy Portals Also Death”, he remembers and honors his mother. As he thinks of his own impending death, he remembers her burial. ” To memories of my mother, to divine blending, maternity. . . To her, the ideal woman, practical, spiritual, of all the earth, life, love, to me the best,” (line 3 and 8).

And Step 3 of the goodbye process is leaving a legacy which Walt does in the poems “My Legacy” and with the final poem “So Long!” I think “My Legacy” is self explanatory so I don’t need to quote it here, but “So Long!” was a very moving poem that I’ve nicknamed “Song of Myself (Reprise)”. What Walt sang of in “Song of Myself” he annouces as having been accomplished in “So Long!”. He invites his audience to join him one last time; “While my pleasure is yet at the full I whisper So Long! And take the young woman’s hand and the young man’s hand for the last time” (line 13).  He continues announcing  that justice, liberty, equality and candor are all justified and have become important to the American people (lines 15-18) and urges us all to live our lives vehemently, boldly and joyfully. He reminds us of the importance of comraderie and turns toward a single comrade during his last moments (p 611 lines 53-61) and finally writes words that could be addressed to either his audience or his comrade at his bedside. In closing, Whitman writes:

Dear friend whoever you are take this kiss,

I give it especially to you, do not forget me,

I feel like one who has done work for the day to retire awhile . . .

Remember my words, I may again return, I love you, I depart from materials,

I am as one disembodied, triumphant, dead (lines 64-66 and 69-71).

Songs of Parting is a beautiful collection that chronicle Whitman’s death and memories. With this collection Walt eases us and himself into the process of death and shows us the proper way to say goodbye to everything atimate and inatimate that we loved. And Whitman would be proud to know that he hasn’t been forgotten, far from it as we learned from our image glosses. Whitman reached his audience despite the fact he believed the opposite. And I hope that some day we do have some form of the peacful, free, accepting America Whitman saw the start of and that I still see inklings of today. I hope it come to full fruition someday. Farwell, Mr. Whitman.

Erin M. for Nov. 5th

The Process of  Goodbye

As his final farewell, Whitman leaves us with his collection Songs of Parting in which he chronicles his process of saying goodbye. Step 1…question death and accept it all in the same poem. In, As the Time Draws Nigh, Whitman writes, “A dread beyond of I know not what darkens me” (p 597 line 2). Whitman knows his sickness is upon him fully and suspects death is on the horizon for him, but he’s not yet afraid or deterred by it. He continues, “I shall go forth, I shall traverse the States awhile, but I can not tell whither or how long, Perhaps soon some day or night while I am singing my voice will suddenly cease” (line 3-5). Here he seems to have accepted his fate. But wait! There’s more! At line 6 he asks, O book, O chants! must all then amount to but this? Translation: Is this it? Is this all there is? But, in the end, his is Whitman after all, and he concludes, “O soul, we have positively appear’d-that is enough (line 8). This line reminds me and should remind all of us of  the following line from Song of Myself: “ I exist as I am, that is enough” Welcome to Walt’s acceptance of his death.

Step 2 in the good bye process is saying goodbye to others and Whitman accomplishes that in the poems “Years of the Modern”, “Ashes of Soldiers” and  “As at ThyPortals Also Death”. In “Years”, Whitman celebrates all that has occured in the world during his life and all that is yet to come. He writes, ” I see tremendous entrances and exits, new combinations, the soldiarity of races. . . I see Freedom, completely arm’d and victorious and very haughty, with Law on one side and Peace on the other. . . I see frontiers and boundaries of the old aristocracies broken,. . . I see this day the People beginning their landmarks, (all others give way;)” (597-98). He is celebrating a new America, one inspired by and powered by the youth and creativity. “Years of the Modern” is reminiscent of the poem “America” (you know that poem from the Levi’s commercial). ” Years” celebrates and says good bye to his vision of America: open, boundary-less, free that he yearned for in Song of Myself, sees inklings of now and hopes will come to fruition after he is gone. In “Ashes” Walt says goodbye one last time to all the soldiers that have battled and those he cared for and even the “horsemen” and “drummers” who were part of the battle. He gives one last salute and nod of respect to all those who were part of the civial war and by saying goodbye to those men I’d also venture that “Ashes ” is also one final nod to Lincoln (598-600). Finally, in “As at Thy Portals Also Death”, he remembers and honors his mother. As he thinks of his own impending death, he remembers her burial. ” To memories of my mother, to divine blending, maternity. . . To her, the ideal woman, practical, spiritual, of all the earth, life, love, to me the best,” (line 3 and 8).

And Step 3 of the goodbye process is leaving a legacy which Walt does in the poems “My Legacy” and with the final poem “So Long!” I think “My Legacy” is self explanatory so I don’t need to quote it here, but “So Long!” was a very moving poem that I’ve nicknamed “Song of Myself (Reprise)”. What Walt sang of in “Song of Myself” he annouces as having been accomplished in “So Long!”. He invites his audience to join him one last time; “While my pleasure is yet at the full I whisper So Long! And take the young woman’s hand and the young man’s hand for the last time” (line 13).  He continues announcing  that justice, liberty, equality and candor are all justified and have become important to the American people (lines 15-18) and urges us all to live our lives vehemently, boldly and joyfully. He reminds us of the importance of comraderie and turns toward a single comrade during his last moments (p 611 lines 53-61) and finally writes words that could be addressed to either his audience or his comrade at his bedside. In closing, Whitman writes:

Dear friend whoever you are take this kiss,

I give it especially to you, do not forget me,

I feel like one who has done work for the day to retire awhile . . .

Remember my words, I may again return, I love you, I depart from materials,

I am as one disembodied, triumphant, dead (lines 64-66 and 69-71).

Songs of Parting is a beautiful collection that chronicle Whitman’s death and memories. With this collection Walt eases us and himself into the process of death and shows us the proper way to say goodbye to everything atimate and inatimate that we loved. And Whitman would be proud to know that he hasn’t been forgotten, far from it as we learned from our image glosses. Whitman reached his audience despite the fact he believed the opposite. And I hope that some day we do have some form of the peacful, free, accepting America Whitman saw the start of and that I still see inklings of today. I hope it come to full fruition someday. Farwell, Mr. Whitman.

Ben for November 3rd

Ok so since the beginning of the course, I have been searching for Uncle Walt.  It has been a bit of an arduous journey.  I’ve found Walt Whitman, the cocky eyed rambling prophet with the rakish tilt to his hat and the slightly expanded crotch of the 1855 edition.  I’ve found the gospel according to Walt, the 1867 workshop edition, which is set up by chapter and verse.  I’ve found the grieving Walt and the nurse Walt, the Good Grey Poet Walt and soldier-eyed Walt, the gay Walt and the ‘we swear that he is homosocial’ Walt.  What has been missing though is the Walt Whitman referenced in the scene in ‘Dead Poets Society’ where Robin Williams makes the shy kid get up to write poetry.  We have been missing our snaggletoothed mad man.

Thank you death-bed edition for finally finding Uncle Walt for me.  While not my favorite version, of ‘Leaves’, that honor goes to the rambling chaos of the 1855 edition, I can see why this is the authoritative text that most scholars go to.  This has the feeling of a more polished laid back Whitman.  Where as the 1855 version takes the reader by the collar and drags him or her through the poem, kicking and screaming if necessary, and the 1867 version preaches from Whitmanic heights.  The death-bed edition is one where the speaker Whitman is sitting in a rocking chair on a front porch somewhere telling a listener everything he has seen, and we know he’s seen it because the wrinkles in his face tell us so, and this is cosigned by the slight limp in the left side of his face from the stroke.  He does not need to be prophet or witness or mourner, here I think we see some of a columniation of Whitman’s voice in Whitman the storyteller.

Now this is not to deny Whitman some of the boyish excitement that he had in the 1855 version, there is still plenty of that now; the cocky sparkle never quite left the eye.  There is still the crazy listing and the deluge of exclamation marks.  Also he has not abandoned all the control he grasped for in the workshop edition.  There is still structure, but it is not near the extreme level seen there.  The biggest change though is how I feel about the ego in the older Whitman.  Whitman the young prophet wears his confidence a bit like locusts and honey; he is there, he is in your face, smirking, and there is a certain roguish charm in his arrogance.  There is not the overbearing necessity to the voice that the workshop edition saw.  Uncle Walt the Storyteller carries his arrogance at a nice middle, and although I tend to avoid reading to much of the author into his work, as I feel that if you don’t look at the work and the author separately in addition to as a unit, something can get missed (blame Professor Harding for that one), I am willing to give Walt his confidence based on age for this.  He has lived his long life, and now nearing the end, this good grey old man sitting on a rocking chair is telling his story.

Ben for November 3rd

Ok so since the beginning of the course, I have been searching for Uncle Walt.  It has been a bit of an arduous journey.  I’ve found Walt Whitman, the cocky eyed rambling prophet with the rakish tilt to his hat and the slightly expanded crotch of the 1855 edition.  I’ve found the gospel according to Walt, the 1867 workshop edition, which is set up by chapter and verse.  I’ve found the grieving Walt and the nurse Walt, the Good Grey Poet Walt and soldier-eyed Walt, the gay Walt and the ‘we swear that he is homosocial’ Walt.  What has been missing though is the Walt Whitman referenced in the scene in ‘Dead Poets Society’ where Robin Williams makes the shy kid get up to write poetry.  We have been missing our snaggletoothed mad man.

Thank you death-bed edition for finally finding Uncle Walt for me.  While not my favorite version, of ‘Leaves’, that honor goes to the rambling chaos of the 1855 edition, I can see why this is the authoritative text that most scholars go to.  This has the feeling of a more polished laid back Whitman.  Where as the 1855 version takes the reader by the collar and drags him or her through the poem, kicking and screaming if necessary, and the 1867 version preaches from Whitmanic heights.  The death-bed edition is one where the speaker Whitman is sitting in a rocking chair on a front porch somewhere telling a listener everything he has seen, and we know he’s seen it because the wrinkles in his face tell us so, and this is cosigned by the slight limp in the left side of his face from the stroke.  He does not need to be prophet or witness or mourner, here I think we see some of a columniation of Whitman’s voice in Whitman the storyteller.

Now this is not to deny Whitman some of the boyish excitement that he had in the 1855 version, there is still plenty of that now; the cocky sparkle never quite left the eye.  There is still the crazy listing and the deluge of exclamation marks.  Also he has not abandoned all the control he grasped for in the workshop edition.  There is still structure, but it is not near the extreme level seen there.  The biggest change though is how I feel about the ego in the older Whitman.  Whitman the young prophet wears his confidence a bit like locusts and honey; he is there, he is in your face, smirking, and there is a certain roguish charm in his arrogance.  There is not the overbearing necessity to the voice that the workshop edition saw.  Uncle Walt the Storyteller carries his arrogance at a nice middle, and although I tend to avoid reading to much of the author into his work, as I feel that if you don’t look at the work and the author separately in addition to as a unit, something can get missed (blame Professor Harding for that one), I am willing to give Walt his confidence based on age for this.  He has lived his long life, and now nearing the end, this good grey old man sitting on a rocking chair is telling his story.

Whitman and Race: a bibliographic essay

Whitman,%20Camden,%20and%20Race[1]click here for my bibliographic essay about Whitman’s racial attitudes

Whitman and Race: a bibliographic essay

Whitman,%20Camden,%20and%20Race[1]click here for my bibliographic essay about Whitman’s racial attitudes

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