Walt Whitman is confusing me. His song of himself “Walt Whitman” seems very differetn from the first version that I found so novel and problematic. This poem seems very refined in comparison, and controlled too, which I consider the effect of the poem’s divisions. His voice is stronger in this poem, I feel, although less wildly energetic. Many of the listing extravaganzas that he let himself talk on endlessly are gone or shortened or at least broken up. Or could it be that I have just become accustomed to his style? Certainly, I was surprised to read his more formal poems, ones like “Pioneers! O Pioneers!” that have a conscious creation in format as well as wording. (Wait, that makes it sound like his others are not considered… I mean that he is trying to restrict his poem to a format that is immediately recognizable as a restricted and poetic format, whether it is a traditional one or not.)

Anticipating Whitman’s war poems as I was, his poem “Pensive on Her Dead Gazing…” still surprised me. It resonated with me, and yet sounded completely Whitmanic. (He even slips a list into this fairly short poem.) His idea of life as cyclic is becoming more and more interesting to me, that somehow people are reborn thousands of years later, in bodies not quite their own but just as alive. I may have to go back with the intention of looking for this idea, especially how it relates to his sense of death.

A final note: this Saturday, I marched the grounds of Antietam battlefield, the single bloodiest day in American history (and I believe also the first of the war to be photographed before the removal of bodies…). I’ll be posting a… well, a post on this trip soon, complete with a few pictures.