In “Children of Adam” Whitman celebrates sexuality and the human body in an androgynous way. This is Whitman at his most revolutionary and daring. The writing is sexually explicit, even by today’s standards. Unlike Penthouse Letters, sex in this poem is generalized, it’s not episodic or designed to stimulate the reader. I admire his courage. He and his publisher took an incredible risk.

Today we are so quick to neatly categorize sexuality, whereas Whitman celebrates a kind of androgynous omnisexuality that knows no barriers.

Whitman seems obsessed with the physical aspects of sex and not with love and stable, monogamous relationships.  He doesn’t really mention love in connection to sex. It’s all very impersonal. He is also obsessed with the male orgasm (not with the female–some things never change).

You can hear the same sentiment Serge Gainsbourg’s controversial hit from 1969 “J’taime moi non plus” (I love you, me neither).  I can’t think of any other popular song that celebrates sexuality in the spirit of “Children of Adam.” This song features the singing (and moaning) of Jane Birkin. It was banned by the Vatican and several European governments for obvious reasons. No French necessary.

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