In which I pay essentialist homage to the [Womanly?] Whitman. […]
In which I pay essentialist homage to the [Womanly?] Whitman. […] As if that wasn’t enough: this one is actually Whitman! Cut from the ad, the final two lines of the poem: “A grand, sane, towering, seated Mother, / Chair’d in the adamant of Time.” […] A former student, Amanda Rutstein, just sent me this link to a Levi’s commercial. I think you will recognize the poem (indeed, I think some of us have trashed it–does this change your mind?), but the images, sound effects (gun shots?), homoeroticism, etc. call for some analysis. Among other questions, would Whitman love this or […] […] I’ve been thinking about our discussion in class last week where some people were suspicious of Whitman on the grounds that he says everyone is equal but then clearly elevates himself as prophet or model (see self-reviews for his own discussion of this, by the way). I have had this same reaction to Whitman many […] […] Those of you who have suffered through other courses and projects with me know that one of my enduring obsessions is the dialogic and poetry. Dialogic can mean admitting or representing more than one or many voices, but a much richer definition would insist that it is more fundamentally an ethical encounter with the other […] […] |
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