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Lincoln

Elizabeth for 10.15: The Unknown Soldier

Everyone has heard of the Tomb of the Unknown Soldier in the Arlington National Cemetery in Virginia.  Just as the monument honors the nameless and unrecovered soldiers of our country’s wars, Whitman also sets his pen to do justice to the unburied and forgotten brave heroes of the civil war:

No formal general’s report, nor book in the library, nor column in the paper, embalms the bravest, north or south, east or west.  Unnamed, unknown, remain, and still remain, the bravest soldiers. (Whitman, p. 748.)

Unnamed Remains the Bravest Soldier is one passage of many that celebrate the strength of America’s fighting youth, both on the field and in the hospitals.  Whitman gives name to these men, abbreviating some to protect their privacy, but details their bravery in the face of pain and death, their strong silence and humbleness and their struggle and will to survive.  Each case or “specimen” in Whitman’s work gives a unique and individual clause to the greater work, bringing the account of the war down to a personal, humanitarian level.

Whitman spoke in the preface to Leaves of Grass that America was itself one great poem, and that a poet of the people must write from the level of the common man.  Therefore, Whitman does not wax patriotic with stories of the heroism of the generals of the war, but details the ins and outs of the cavalry and infantry.  Even his passages about Lincoln describe the president as humble, courteous and yet deep and distinguished in the sadness in his face.  Lincoln and his wife go about attired in black in a simple carriage, and while the president is alone he goes with a small ensemble of cavalry at the insistence of this men.

The hot-blooded patriotism of Whitman’s early poems is absent here, replaced with gruesome scenes of the hospital and the field.  Whitman describes a battlefield in a fiery wood in A Night Battle, Over a Week Since. Both the wounded and the dead are consumed in the fire, flames that echo the burns that soldiers sustain if they survive the enemy cannon fire.  Other scenes describing amputation, gangrene and violent hemorrhages range from stirring to deeply disturbing.  Most of the soldiers are young, often between ages sixteen and twenty-one, and often described as farm boys–those who have little stake in the struggle between plantation owners and northern factory workers.

In Europe’s many military conflicts it came as no surprise that wars were waged by the rich with the ranks of the poor.  America may claim to be different, but the reality of the Civil War proves that even democracy does not prevent this bitter, cruel reality from occurring.

Elizabeth for October 8th: Lincoln’s Funeral Train

Each time I read Whitman’s verse on Lincoln it never fails to inspire me.

Lincoln's funeral train

Lincoln was the first president whose funeral was taken to the public on a grand scale–his coffin was set on a thirteen day journey by train.  The train and its attendees traveled from Washington to Springfield, Illinois, through seven states and several major cities.  Hundreds of thousands of people attended the viewing of the president in Philadelphia alone.

According to accounts “Long lines of the general public began forming by 5:00 A.M. At its greatest, the double line was three miles long and wound from the Delaware to the Schuylkill. Philadelphia officials estimated 300,000 people passed by Mr. Lincoln’s open coffin. The wait was up to five hours. So many people wanted to view Mr. Lincoln’s body that police had difficulty maintaining order in the lines; some people had their clothing ripped, others fainted, one broke her arm.”

Lincoln’s death was universally mourned, and Whitman’s elegy for the president is emotionally stirring, evoking both the poet as a lone mourner as well as the throngs that flocked to behold the president in death.  Whitman describes the journey of the coffin through the rural landscapes of America as it travels from east to west.  But the poem does not linger on the journey itself, but also grasps a greater effect by detailing Lincoln’s “burial house”–the symbols that represent the great man:

Pictures of growing spring and farms and homes,

With the Fourth-month eve at sundown, and the gray smoke lucid and bright,

With floods of the yellow gold and gorgeous, indolent, sinking sun, burning, expanding the air,

With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific…

And the city at hand with dwellings so dense, ands tacks of chimneys,

And all the scenes of life and the workshops, and the workmen homeward returning (462.)

Lincoln in an open coffin

Whitman immortalizes Lincoln as the morning star, the star that sets in the west with his death.  The narrator is then held between the thrush’s poetic exuberance on death and the mournful pull of memory of Lincoln in life.  Death is celebrated as a companion, a universal force worthy of praise, an escape from the suffering of living.  Yet the narrator moves between these two forces throughout the entire poem, only to escape the cycle and move beyond the lilac and the star at its very conclusion.  The poem ends with praise for “the sweetest, wisest soul of all my days and lands” and the release of Lincoln into the embrace of death and his immortalization through the ode.

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