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frontispiece

Frontispiece: Take 2

Josip“I saw the marriage of the trapper in the open air in the far-west . . . . the bride was a red girl,

Her father and his friends sat nearby crosslegged and dumbly smoking . . . . they

had moccasins to their feet and large thick blankets hanging from their

shoulders;

On a bank lounged the trapper . . . . he was dressed mostly in skins . . . . his luxuriant
beard and curls protected his neck,

One hand rested on his rifle . . . . the other hand held firmly the wrist of the red girl,

She had long eyelashes . . . . her head was bare . . . . her coarse straight locks
descended upon her voluptuous limbs and reached to her feet.

The runaway slave came to my house and stopped outside,

I heard his motions crackling the twigs of the woodpile,

Through the swung half-door of the kitchen I saw him limpsey and weak,

And went where he sat on a log, and led him in and assured him,

And brought water and filled a tub for his sweated body and bruised feet,

And gave him a room that entered from my own, and gave him some coarse clean
clothes,

And remember perfectly well his revolving eyes and his awkwardness,

And remember putting plasters on the galls of his neck and ankles;

He staid with me a week before he was recuperated and passed north,

I had him sit next me at table . . . . my firelock leaned in the corner.”

Although there are many sections in the poem that are just breathtaking, I chose this passage from the 1855 version of “Leaves of Grass” as my favorite. Walt Whitman is, in my humble opinion, one of the few poets that succeeds in portraying the exact image to his readers. While reading this passage about the marriage of a trapper and a red girl and the story about the runaway slave, I was more than astonished by the scenes that seemed to happen right in front of me.

At the time when the poem was written there were many talks and debates concerning tolerance, slavery, equality etc. These two scenes show Whitman’s stance on the matter, and very well draw a pretty precise sketch of my opinion on these antebellum problems.

I was positively overwhelmed with the amount of work we did during our first class period on the 31st. The introductory class was great and the high point was definitely reading the poem out loud, and holding the old green “Leaves of Grass” copy. Can’t wait for Saturday!


Frontispiece: Take 2

Josip“I saw the marriage of the trapper in the open air in the far-west . . . . the bride was a red girl,

Her father and his friends sat nearby crosslegged and dumbly smoking . . . . they

had moccasins to their feet and large thick blankets hanging from their

shoulders;

On a bank lounged the trapper . . . . he was dressed mostly in skins . . . . his luxuriant
beard and curls protected his neck,

One hand rested on his rifle . . . . the other hand held firmly the wrist of the red girl,

She had long eyelashes . . . . her head was bare . . . . her coarse straight locks
descended upon her voluptuous limbs and reached to her feet.

The runaway slave came to my house and stopped outside,

I heard his motions crackling the twigs of the woodpile,

Through the swung half-door of the kitchen I saw him limpsey and weak,

And went where he sat on a log, and led him in and assured him,

And brought water and filled a tub for his sweated body and bruised feet,

And gave him a room that entered from my own, and gave him some coarse clean
clothes,

And remember perfectly well his revolving eyes and his awkwardness,

And remember putting plasters on the galls of his neck and ankles;

He staid with me a week before he was recuperated and passed north,

I had him sit next me at table . . . . my firelock leaned in the corner.”

Although there are many sections in the poem that are just breathtaking, I chose this passage from the 1855 version of “Leaves of Grass” as my favorite. Walt Whitman is, in my humble opinion, one of the few poets that succeeds in portraying the exact image to his readers. While reading this passage about the marriage of a trapper and a red girl and the story about the runaway slave, I was more than astonished by the scenes that seemed to happen right in front of me.

At the time when the poem was written there were many talks and debates concerning tolerance, slavery, equality etc. These two scenes show Whitman’s stance on the matter, and very well draw a pretty precise sketch of my opinion on these antebellum problems.

I was positively overwhelmed with the amount of work we did during our first class period on the 31st. The introductory class was great and the high point was definitely reading the poem out loud, and holding the old green “Leaves of Grass” copy. Can’t wait for Saturday!


Frontispiece: Take 2

Josip“I saw the marriage of the trapper in the open air in the far-west . . . . the bride was a red girl,

Her father and his friends sat nearby crosslegged and dumbly smoking . . . . they

had moccasins to their feet and large thick blankets hanging from their

shoulders;

On a bank lounged the trapper . . . . he was dressed mostly in skins . . . . his luxuriant
beard and curls protected his neck,

One hand rested on his rifle . . . . the other hand held firmly the wrist of the red girl,

She had long eyelashes . . . . her head was bare . . . . her coarse straight locks
descended upon her voluptuous limbs and reached to her feet.

The runaway slave came to my house and stopped outside,

I heard his motions crackling the twigs of the woodpile,

Through the swung half-door of the kitchen I saw him limpsey and weak,

And went where he sat on a log, and led him in and assured him,

And brought water and filled a tub for his sweated body and bruised feet,

And gave him a room that entered from my own, and gave him some coarse clean
clothes,

And remember perfectly well his revolving eyes and his awkwardness,

And remember putting plasters on the galls of his neck and ankles;

He staid with me a week before he was recuperated and passed north,

I had him sit next me at table . . . . my firelock leaned in the corner.”

Although there are many sections in the poem that are just breathtaking, I chose this passage from the 1855 version of “Leaves of Grass” as my favorite. Walt Whitman is, in my humble opinion, one of the few poets that succeeds in portraying the exact image to his readers. While reading this passage about the marriage of a trapper and a red girl and the story about the runaway slave, I was more than astonished by the scenes that seemed to happen right in front of me.

At the time when the poem was written there were many talks and debates concerning tolerance, slavery, equality etc. These two scenes show Whitman’s stance on the matter, and very well draw a pretty precise sketch of my opinion on these antebellum problems.

I was positively overwhelmed with the amount of work we did during our first class period on the 31st. The introductory class was great and the high point was definitely reading the poem out loud, and holding the old green “Leaves of Grass” copy. Can’t wait for Saturday!


the poet of the future

DSC00004

Has anyone supposed it lucky to be born?
I hasten to inform him or her it is just as lucky to die, and I know it.

I pass death with the dying, and birth with the new-washed babe … and am not contained between my hat and boots,
And peruse manifold objects, no two alike and every one good,
The earth good, and the stars good, and their adjuncts all good.

I am not an earth nor an adjunct of the earth,
I am the mate and companion of people, all just as immortal and fathomless as myself,
They do not know how immortal, but I know.

Yes! Whitman knows what it is like to die because he is dead! This voice of a poet speaking from the other world to the future generations is what I love in Whitman. It appears throughout his poetry, connecting the people who read it and telling them of the universality of human experience. A shocking statement saying that it is lucky to be dead is followed by soothing images of birth, earth and stars. Whitman doesn’t wish to upset us, but to unite us, to be our immortal “mate and companion”.

the poet of the future

DSC00004

Has anyone supposed it lucky to be born?
I hasten to inform him or her it is just as lucky to die, and I know it.

I pass death with the dying, and birth with the new-washed babe … and am not contained between my hat and boots,
And peruse manifold objects, no two alike and every one good,
The earth good, and the stars good, and their adjuncts all good.

I am not an earth nor an adjunct of the earth,
I am the mate and companion of people, all just as immortal and fathomless as myself,
They do not know how immortal, but I know.

Yes! Whitman knows what it is like to die because he is dead! This voice of a poet speaking from the other world to the future generations is what I love in Whitman. It appears throughout his poetry, connecting the people who read it and telling them of the universality of human experience. A shocking statement saying that it is lucky to be dead is followed by soothing images of birth, earth and stars. Whitman doesn’t wish to upset us, but to unite us, to be our immortal “mate and companion”.

the poet of the future

DSC00004

Has anyone supposed it lucky to be born?
I hasten to inform him or her it is just as lucky to die, and I know it.

I pass death with the dying, and birth with the new-washed babe … and am not contained between my hat and boots,
And peruse manifold objects, no two alike and every one good,
The earth good, and the stars good, and their adjuncts all good.

I am not an earth nor an adjunct of the earth,
I am the mate and companion of people, all just as immortal and fathomless as myself,
They do not know how immortal, but I know.

Yes! Whitman knows what it is like to die because he is dead! This voice of a poet speaking from the other world to the future generations is what I love in Whitman. It appears throughout his poetry, connecting the people who read it and telling them of the universality of human experience. A shocking statement saying that it is lucky to be dead is followed by soothing images of birth, earth and stars. Whitman doesn’t wish to upset us, but to unite us, to be our immortal “mate and companion”.

the poet of the future

DSC00004

Has anyone supposed it lucky to be born?
I hasten to inform him or her it is just as lucky to die, and I know it.

I pass death with the dying, and birth with the new-washed babe … and am not contained between my hat and boots,
And peruse manifold objects, no two alike and every one good,
The earth good, and the stars good, and their adjuncts all good.

I am not an earth nor an adjunct of the earth,
I am the mate and companion of people, all just as immortal and fathomless as myself,
They do not know how immortal, but I know.

Yes! Whitman knows what it is like to die because he is dead! This voice of a poet speaking from the other world to the future generations is what I love in Whitman. It appears throughout his poetry, connecting the people who read it and telling them of the universality of human experience. A shocking statement saying that it is lucky to be dead is followed by soothing images of birth, earth and stars. Whitman doesn’t wish to upset us, but to unite us, to be our immortal “mate and companion”.

Eleves I salute you

dead

” I do not press my finger across my mouth, I keep as delicate around the bowels as around the head and heart, Copulation is no more rank to me than death is. I believe in the flesh and the appetites, Seeing hearing and feeling are miracles, and each part and tag of me is a miracle. ”

My body is a shrine of my physical and mental experiences.

Each of my senses is a bliss.

I am a materialist and spiritualist in one.

Thank you Whitman for helping me to express myself !

Hello world!

” I do not press my finger across my mouth, I keep as delicate around the bowels as around the head and heart, Copulation is no more rank to me than death is. I believe in the flesh and the appetites, Seeing hearing and feeling are miracles, and each part and tag of me is a miracle. “

Eleves I salute you

dead

” I do not press my finger across my mouth, I keep as delicate around the bowels as around the head and heart, Copulation is no more rank to me than death is. I believe in the flesh and the appetites, Seeing hearing and feeling are miracles, and each part and tag of me is a miracle. ”

My body is a shrine of my physical and mental experiences.

Each of my senses is a bliss.

I am a materialist and spiritualist in one.

Thank you Whitman for helping me to express myself !

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