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Comment on Whitman for the Kemp Symposium by mscanlon

mscanlon — Tue, 20 Apr 2010 01:08:08 +0000

Erin, the cluster I suggested above was getting at just that, I think– it would be great if you talked about the geographical focus.

Everyone, if you didn’t see anything in room 28 today where you will be presenting, the projection is awkward– the screens are to the sides and very hard to read text on, and it is very hard to see them from the podium. So prepare accordingly.

Comment on Whitman for the Kemp Symposium by sarahlawless

sarahlawless — Mon, 19 Apr 2010 18:25:42 +0000

Alrighty, weighing in late here, I am willing to discuss our annotation project since I feel that is a good example of Whitman in Fredericksburg (since all the poems were from Drumtaps), some literary analysis (always good), and some of the experimental digital technologies that this class was set up to explore. I suppose I’ll start with the poem that Sam and I annotated, but if anybody is so proud of theirs that they want to have it revealed to the world, then I’d be thrilled to use them to compare and contrast our use of the project! (Note: I reserve the right to discuss anyone’s annotated poem, even if they don’t volunteer it. It’s for Whitman, after all!)

Comment on Whitman for the Kemp Symposium by meghanedwards

meghanedwards — Mon, 19 Apr 2010 18:06:20 +0000

Commenting to say that I’ll be in Category 3 with my final project, if that’s okay. I really wanted to focus on the Novi Sad responses (and maybe the Chinese?), since those were the most interesting.

Comment on Whitman for the Kemp Symposium by Erin

Erin — Mon, 19 Apr 2010 06:09:22 +0000

I would really like to talk about the geographical aspect of the course and how we connected Whitman to the Fredericksburg DC area…is anyone else joining in on this?

Comment on Whitman for the Kemp Symposium by mscanlon

mscanlon — Sun, 18 Apr 2010 17:01:33 +0000

If TBJG is a theme, I’ll have a few words to say myself.

Sam, I did mean for these categories to be distinct, yes. I guess when I said “Whitman in History” I meant throughout history, in great time, to use our friend Bakhtin– works like yours, Virginia, Meg’s (and others, though they may work in these other sections). The frame for showing some of the videos would be discussing Whitman’s changeable and essential role beyond 19th-century poet (after all, would we say that about Longfellow?)– maybe including a word or two about the Serbian videos we saw/Karen’s discussion of Whitman as an example.

If we divided as above, each of the three sections would get 15-20 minutes (maybe on the low side for Allison-Brendon since it’s just two of them, and on the high side for the others with three). Chelsea would either be a briefer section alone or act as our general narrator (helped by Sam or Nat if they want to be part of it also).

Comment on Whitman for the Kemp Symposium by chelseanewnam

chelseanewnam — Sat, 17 Apr 2010 15:16:34 +0000

Sam will just be getting out of work when we present, so he will be there but didn’t feel like he had time to prepare anything.

I don’t really know where to plug in. I can be a narrator, like I said in the email, or I could present part of my paper which is more or less “religious Whitman”…I also have the two Where I Found Whitmans that I did…so just tell me where you think is best.

Comment on Whitman for the Kemp Symposium by s-words

s-words — Sat, 17 Apr 2010 14:14:37 +0000

“Whitman in History” differs from “Whitman in Fred/DC,” doesn’t it? I guess if I’m courting the avuncular beard from the angle of History/Today, I’ll be focusing on… Whitman’s influence on the consolidation of American iconicity? His hip-shaking, self-eulogizing Wendellianism? Neither? Of course, I’d like to be involved in the annotations section, too, but I’m a little unclear as to what Virginia and I will talk about, beyond using video to reify Walt.