Sat 14 Nov 2009
A live oak
According to the Merriam-Webster’s dictionary, the live oak is any of several American evergreen oaks noted for its extremely hard tough durable wood. You could say that it’s a powerful symbol of strength and you wouldn’t be mistaken. But if I asked someone from Texas what live oak means to him, I would probably get an answer: “Beer!”
Since most people from Serbia are not acquainted to the finest beers of the North American continent, an average Serbian would just shrug his shoulders to the same question. What was interesting for me was the fact that it is not like any oak I have ever seen around here. Its massive structure is impressing, but what is even more interesting is the moss growing on the trees giving them a striking appearance.
(Ancient live oak trees in Georgia)
“I saw in Louisiana a live-oak growing,
All alone stood it and the moss hung down from the branches,
Without any companion it grew there uttering joyous leaves of dark green,
And its look, rude, unbending, lusty, made me think of myself,
But I wonder’d how it could utter joyous leaves standing alone there without its lover near—for I knew I could not.
And I broke off a twig with a certain number of leaves upon it, and twined around it a little moss,
And brought it away—and I have placed it in sight in my room,
It is not needed to remind me as of my own dear friends,
(For I believe lately I think of little else than of them,)
Yet it remains to me a curious token—it makes me think of manly love;
For all that, and though the live-oak glistens there in Louisiana solitary in a wide flat space,
Uttering joyous leaves all its life without a friend, a lover near,
I know very well I could not.”
(Calamus, 1860)
Whitman speaks of a tree that is alone, solitary, isolated in Louisiana without a lover near. There lies a different, more homoerotic aspect behind the lines, besides mere solitude. He mentions that the oak reminds him of manly love, of a person who is waiting for his lover and even the branches look rude and lusty to him. Indicative enough…
November 24th, 2009 at 11:28
Indira–
What strikes me about this poem is how Whitman vacillates between singular and plural lovers/friends. If it is about sex, do you think he’s envisioning a promiscuous way of life, or a one-on-one relationship?
December 8th, 2009 at 13:39
Indira-
I enjoyed this post you have written, it is a part of Whitman which I enjoy very much. He expresses himself as he feels to what he sees, he mentions his sexuality, not in an explicit way, but in a way that captures the beauty of his soul and the old story telling trees. I love how you described the Moss oak trees from your view as well as the point of view from people in your country.
Hopefully you can check out some of our post at CUNY City Tech. I think dlovely56 blog will interest you in a different side of Whitman. Right now we have just finished reading Franklin Evans, it is an eye opening book.
December 8th, 2009 at 14:21
hi Indira,
i love the picture you chose to illustrate the live oak trees, Whitman was definitely influence by nature. He has a substantial amount of work that has a nature influence, check out this post, this student writes about works she has read where nature is the obvious influence.Looking at the picture you chose almost encourages me to write about them, the trees are so creepy, they seem as if they were reaching over you, creating a cathedral of branches.The trees create great shaded areas which are perfect for sitting under and reading or writing, Whitman must have dozed of from time to time under the trees.
April 10th, 2011 at 15:30
kpZgHv Very true! Makes a change to see someone spell it out like that.
May 26th, 2011 at 09:19
Would you mind sharing the exact location of this line of oaks? Where in Georgia is it located? Thanks!
May 27th, 2011 at 11:33
Unfortunately, I donćt know the exact location, but I know that the artist is Maria Stenzel, so maybe you could get in touch with her somehow… sorry!
June 1st, 2011 at 22:59
A live oakAccording to the Merriam-Webster
June 11th, 2012 at 02:51
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